Monday Roundup.

Let's start the work week off with a couple of old friends here at AbPow.

The Riffbrokers-Every Pilot's Blinded by the Sun. Seattle's Riffbrokers are back with their fifth full-length, and it's more of the same no-nonsense power pop/classic rock that they have become masters at. Their sound is equal parts Tom Petty and The Replacements with a dash of Exile-era Stones thrown in, and the rocking "Better Angels" is the definitive proof of this amalgam. Nick Millward has just the right voice for this style of rock, and his bandmates provide a killer rhythm section. No bad tracks here, but more equal than others are the rocker "Mindset", the soulful "Calling All The Charlatans" and the catchy album closer "Thank You". No, thank you, Riffbrokers, for keeping the rock flame burning.

CD Baby | Bandcamp (free download) | iTunes



The Rationales-The Distance in Between. We last heard from this Boston band a few years ago with their fine EP The Going and the Gone, and here's their equally impressive full-length debut. Once again David Mirabella & Co. straddle the line between power pop and Americana, and if you like bands such as, say, I don't know...The Riffbrokers? you'll love this one. Opener "Real Life" builds from its rootsy verses to an anthemic ending, "Braedon" packs more punch in its sub-2:00 running time than most songs do in 4, and the rocker "Jaded" recalls Being There-era Wilco. And don't miss the chiming, jangly "Tongue Tied", the latest and greatest entry into the fellowship of "summer is over" songs. You won't have to rationalize picking this one up.

CD Baby | Bandcamp | iTunes

Sunday Morning Roundup.

The Wellingtons-Heading North For The Winter. This fine Aussie band is now out with their third release, and I love the motto at their CD Baby page: "life's too short to listen to bad power pop". That's kind of the mission statement here as well, and you won't be wasting any precious minutes by giving this disc a spin. For the unfamiliar, The Wellingtons specialize in upbeat power pop, blending youthful exuberance with a classic sound, and Heading North For The Winter might be their best yet. The first five tracks blast out of the gate in their best The Argument-meets-Rooney sound; the sixth, "Natalie", is a gem as well, recalling Big Kid and Jellyfish. One high-tempo melodic gem after another.

CD Baby | MySpace | Listen at Lala

The Riffbrokers-Weight of Line and Intersection. This act from Washington state has always sported one of my favorite band names, and their excellent roots rock has consistently lived up to their moniker. If I could describe their sound in a sentence, I'd say it would be as if Elvis Costello grew up in the Pacific Northwest and fronted The Replacements. "Told You to Go" kicks things off with just the right mix of swagger, definance and yes, riffs; "Evaporate" is another barnburner, "Myth to Struggle With" shows they can take it down a notch and still deliver the goods, "Roy Orbison" pays tribute to the man in their own style, rather than trying to imitate the inimitable, and "End of All Things" is a standout closer. Riff On!

CD Baby | MySpace

Luke Jackson-...And Then Some. Here's a treat. Toronto's Luke Jackson hooked up with Magnus Börjeson of Beagle and Favorita, and went to Sweden to record this pop gem that will appeal to fans of the aforementioned band as well as anyone who likes smart, sophisticated, melodic pop. "Come Tomorrow" might be one of the songs of the year: an insanely catchy chorus, great melody and just overall pop perfection. The rest of the songs have a tough act to follow, but they come through as well: the laid-back "Trouble" has a fine Josh-Rouse-does-the-70s sound; Jackson dons a Cockney accent in the fun, uptempo "Goodbye London"; "Half a World Away" is a jangly number with definite Swedish influence; and "Longest Day" is a rocking power popper a la fellow Canadian Tal Bachman. Don't let this one slip by you.

CD Baby | MySpace