Three for Thursday.

Three discs to chew on in this late week roundup, two from familiar faces and one from a new one.

David Brookings-Glass Half Full. Nashville may have been getting all the Tennessee-related attention around here lately, but here's some equal time for Memphis as favorite son David Brookings returns with his fifth solo album since 2000. Brookings has long been a favorite in the power pop community with his easygoing melodic style, and has drawn comparisons to the likes of Jim Boggia, Mike Viola, Matthew Sweet and Michael Penn. With Glass Half Full, it'll hardly take an optimist to warm up to this collection of tracks. "Don't Wake Me Up" gets things off to a rollicking start with its McCartneyesque feel, "I Wish I Could Be With You" is as sweet as its melody, "Love Goes Down the Drain" mines some Jellyfish/Viola sounds, "Hazel" jangles and shines, and "Still Not Crazy Yet" is pop at its brightest. This might be his best yet.

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Your Gracious Host-Easy Red. All I can say is that Tom Curless (a/k/a Your Gracious Host) is one productive guy. Not content to rest on the laurels of last fall's double-album self-titled debut, he's returned as YGH about nine months later to bring us Easy Red, 11 more tracks of the same winning indie-flavored power pop we loved on the debut. Standout tracks on this disc include the urgent "Alibi", which reminds me of Teenage Fanclub mixed with mid-70s Roxy Music, the angular "Rescue Me", the Andy Partridge-like "Blue Sky", and the pretty, languid title track. At this rate, I'll be back in the spring reviewing the 3rd YGH disc, and I'll be happy to do so.

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Billy Schafer-First to Believe. The debut mini-album (7 tracks) from this San Francisco singer/songwriter has been a revelation. Although it didn't bowl me over at first, it really has grown on me and become a real favorite. Schafer's style is similar to artists like Elliott Smith, Gus Black, AM, and Mark McAdam. Two tracks really stand out here as some of my favorites of the year - the opener "Wondering", which sounds both contemporary and classic, and the lovely "My Mona Lisa (The One)", whose chorus has been embedded somewhere in my brain for quite a while now. Both tracks make excellent and tasteful use of strings as well. The other five tracks are no slouches either, with "April Fool for You" and "The Dream is Alive" worthy of particular note. A very nice debut.

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CD of the Day, 12/2/08: Your Gracious Host-Your Gracious Host

Flint, Michigan has been synonymous with documentary filmmaker Michael Moore and as ground zero for the economic blight that has hit the manufacturing sectors of the United States, but there is a flower in the dirt: Your Gracious Host, the new project from Flint singer/songwriter Tom Curless. YGH has fashioned one of the most audacious tricks in the music industry book - the double-disc debut album - and has pulled it off. Curless mixes indie pop and power pop to fine effect, and fans of Teenage Fanclub, The Shins, XTC and a host of other similarly minded and sounding bands will enjoy this generous offering.

The uptempo "Minutes=Hours" begins the proceedings, and it has a TF vibe; the densely melodic "Admit to Myself" recalls Elliott Smith; "Changed So Much" sounds a track off the Pernice Brothers' Yours, Mine & Ours album; The acoustic guitar-driven "The Big Leap" has a breezy, 70s feel; the power poppin' "Time to Spare" brings Robert Pollard to mind, while "Reaching Stars" is positively Posies-esque. And that's just the first disc.

Disc 2 rocks a bit more and features "I Feel Alright", a rootsy power pop number in manner of Marshall Crenshaw; the driving "Why You're Here"; the dreamy "Taking Time Away", which also channels The Posies; "Really Too Late", which brings a bit of Bob Mould into the mix; and closes with the lovely "Cloud In The Sky" which has a bit of a High Llamas/Cloud Eleven feel. All in all, there's 21 tracks here for the price of a single disc, and if they all don't work for you, odds are at least 2/3rds of them will. You'll want to RSVP to Your Gracious Host.

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